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A Minute with Eric Goldberg

(Continued from Page 2 )

Goldberg cites the examples of the collectible maquettes that keep the feel of the original characters, as well as the Viewmaster reels he grew up with as a kid. Goldberg credits these 3D Viewmaster images to sculptor Martha Armstrong Hand. "She used to sculpt, in the 50's, these great versions of classic characters. She did the Bugs Bunny/Elmer Fudd sculpt, she did the Donald Duck and Chip & Dale sculpt, she did the Hanna Barbera characters, and I just thought, my God, those are beautiful! And they really felt like the characters." While he prefers hand-drawn animation, Goldberg says that these examples compel him to embrace the conversion of classic characters into CG. "I think [not doing so] is actually being a little too purist, myself."

On a side note, I asked Goldberg if there was anything on television today that inspires him. He responded with a laugh, "next question."

Finally, I was wondering, if he was stranded on a deserted island with only one piece of animation, what would it be? He couldn't think of one, but gave me an even tie: "A print of ‘Rabbit of Seville,' a print of Dumbo. Dumbo is brilliant, my favorite Disney feature."

 

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