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Profile: Gary Conrad(Continued from Page 4 )
JF: Are there personality traits new people in the industry should foster?
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![]() Image courtesy of Frederator/Nickelodeon | JF: Have you made any mistakes along the way that you care to share?
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JF: Do you have any personal projects? GC: As I mentioned, I used to make little super-8 movies, and when super-8 died I got some video equipment and started making little silly video projects. I’ve continued to do that, and I’m actually working on a little documentary project, just for the fun of it. I’m real lucky to do animation for a job, but the fact that there’s a paycheck obviously means you’re doing it for someone else. Doing your own personal project just for the joy of it really does recharge your batteries and is a great outlet. JF: Didn’t lots of people from CalArts get trained solely in the Disney style? GC: More so in 1984. One thing about working in animation, it’s important to be versatile. I do think sometimes people will look at what you’ve done and say, “oh, that’s all you can do.” And there is an unfortunate fact that sometimes people get typecast doing only one kind of thing. But I do think that for the most part, animation people find that they can adapt and move around. JF: Drawings for film storyboards seem less on-model than drawings in TV storyboards. How important is it to draw in different people’s drawing styles? | |||
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