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The Slipper Still Fits

(Continued from Page 1 )

Despite a rushed three-year schedule from start to finish, and a relatively tight budget, the film touts a higher quality in art and story than most other straight-to-DVD sequels. One method was by limiting ancillary characters, so Jaq and Gus are the only two mice we see in the film. “It was important to make sure Gus and Jaq were clearly differentiated in their character relationships,” says Nissen. “Equally important was making sure they really help Cinderella in tangible ways that make a difference to our story. I wanted to make sure all the characters had stuff to do, so I told the story people to think about what the scene is about, and what the characters could be doing while they are saying their lines. I think that’s part of what gives the film a feeling of richness and activity.”

 
A specific rich element is the character of the Prince. “In the first movie he’s really little more than a dancing partner for Cinderella,” adds Nissen. “But he figures much more in the mechanism of our story, so we had to create a personality for him. We couldn’t just build on what was in the first movie, because there’s hardly anything there, and we couldn’t just make him a simple-minded saccharine hero. We tried to think about Hugh Grant and other young modern romantic figures and look at their mannerisms, styles of speech and sense of humor.

 

Frank Nissen
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